Bilawal Sidhu reconstructs successive video moments in three dimensions and leaves them together in a scene, using time as the fourth dimension. A deer sequence and his own movement make the concept tangible, while philosophical interpretations are framed as analogies rather than scientific conclusions.
Bilawal Sidhu aligns images and video recorded at different times with a scanned location, then extends the technique to photographs of an event. He imagines navigating a place's recorded memories instead of scrolling through a camera roll, with privacy choices important to any shared collection.
Bilawal Sidhu combines public incident imagery, flight data and satellite observations to illustrate a broader spatial record. These examples can help compare perspectives and changing predictions, but he acknowledges that the available evidence remains incomplete; reconstruction is not a complete or infallible account of an event.
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